*Note:
For current MLA style, 1st line should be at left margin,
all the rest is indented 5 spaces, with the note usually run-on
with the documentation. Note that I can't indent in this program
to show you.
Also, these examples differ in several ways from the current accepted form you will be following. Try to locate the differences. For starters, Walker gives one form on p. 223, "Making an Annotated Bibliography," and another in her own "Appendix B: An Annotated List of Selected Reference Works."
These examples are a) to give you a sense of possible range in focus, style, and length, b) to convince you how important it is to check carefully for current accepted documentation style in your field, and c) to let you see how much better a job you could do. --DL]
1)
From:
Melissa Walker, Writing Research Papers:
A Norton Guide (4th ed.) (New York: Norton, 1997).
Hareven, Tamara. "Social and Political Apprenticeship, 1920-1933." Eleanor Roosevelt: An American Conscience. Chicago: Quadrangle, 1968. 21-47. This chapter is about Eleanor Roosevelt's initial work with social reform and labor groups. It outlines her development and increasing influence in politics and women's rights. A good, concise overview of these years.
Lash, Joseph P. Eleanor and Franklin. New York: Norton, 1971. A broad, reliable basis for further study, this book is a good place to begin a study of the Roosevelts. Lash explores the environments in which they were raised and covers their lives up until Franklin's death.
Rice, Diana. "Mrs. Roosevelt Takes on
Another Task." New York Times 2 Dec. 1928, sec. 5:5.
This articles is based on an interview with Eleanor Roosevelt
in which she discusses her coming role as First Lady of New York
State. Her views on women in politics are particularly interesting
and are reported in her own words.
2)
From:
Roberta Simone, The Immigrant Experience
in American Fiction: An Annotated Bibliography (London: Scarecrow,
1995).
Chametzky, Jules. Our Decentralized Literature:
Cultural Medications in Selected Jewish and Southern Writers.
Amherst: University of Massachusetts Press, 1986.
Comments on Cahan, Michael Gold, Henry Roth, Singer, and others.
Ling, Amy. Between Worlds: Women Writers
of Chinese Ancestry. New York: Pergamon, 1990.
A comprehensive historical and critical study of prose works by
Chinese-American women writers, from the beginnings--e.g., Sui
Sin Far (Edith Eaton)--to the present--e.g., Maxine Hong Kingston
and Amy Tan. Contains a bibliography with brief annotations.
Pagano, Jo. Golden Wedding. New York:
Random House, 1943. Reprint, New York: Arno Press, 1975.
A sequel to The Paesanos. At their golden anniversary party,
with their children around them, the lives of Luigi and Marcella
Simone are reviewed. They had been born in Italy but met in the
United States. Frightened by the Mafia, they moved to Colorado,
to Utah, and finally to California.
Saldivar, Ramon. Chicano Narrative: The
Dialectics of Difference. Madison: University of Wisconsin
Press, 1990.
A theoretical perspective on fiction, with special attention to
Villareal, Anaya, Hinojosa, and Cisneros. He asserts that "Chicano
narrative should be seen as an active participant in [the] reconceptualization
of American literary discourse" and that Chicano authors
attempt to "fashion...a new, heterogeneous American consciousness
within the dialectics of difference."
Wrobel, Paul. "The Polish American Experience:
An Anthropological View of Ruth Tabrah's Pulaski Place
and Millard Lampell's The Hero." Ethnic Literatures
Since 1776: The Many Voices of America. Eds. Wolodymyr T.
Zyla and Wendall M. Aycock. Lubbock: Proceedings of the Comparative
Literature Symposium, Texas Tech Univ., Jan. 1976. IX (1978) II,
395-407.
The discussion suggests that there is little Polish-American literature
so identified, because Polish-Americans have been discouraged
from writing about themselves and their communities by a society
which rewards assimilation and encourages homogeneity. A definition
of Polish-American fiction is tentatively set forth and these
two novels are discussed in that context.
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