Visual Anthropology

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ANT 370S-01 Visual Anthropology Dr. D. D. Wills
34630 Cal Poly Pomona Spring, 2007

COURSE SYLLABUS

Instructors: Dr. Dorothy D. Wills, Assistant Brian Rigazzi
Class meetings: MW 2:00-3:50 (except when we have on-line activities, computer lab, or field work); Bldg. 5:143
Office hours: MTW 1:00-2:00, Wed. 10:00 - 12:00, or by appointment, located in
Bldg. 5-147, 869-3582
Email: ddwills@csupomona.edu
Web page: www.csupomona.edu/~ddwills

Course Description

Visual Anthropology is the field that is concerned with the documentation of culture, social institutions, and everyday human behavior through film. This course explores the uses of video, audio, world wide web, and other media in anthropological research, in the communication of ideas and information to the public, and as repositories of knowledge. Students will become familiar with ethnographic and other documentary approaches in multi-media, and will carry out their own projects with digital media. 4 units lecture/discussion/activity

This course (ANT 370) is part of the core curriculum for the Digital Media minor degree program in the College of Letters, Arts and Social Sciences. It follows the core sequence CLS 201/201A and CLS 301/301A, and may be taken along with support courses in the minor. Students in all majors are welcome. Anthropology majors can satisfy a core elective with this course.

This is a service-learning course, through which you will put your skills in multimedia and anthropology to use in communities or in working with organizations. We have identified some possible partners for you in this aspect of the course and can assist you in making the appropriate connections and arrangements. You are also welcome to bring your own contacts and ideas into the discussion to satisfy this requirement.

Objectives

The main goal of this course is to give group members a general idea of what it takes to research, plan, shoot, edit, and present a short documentary, slide show with digital stills, radio documentary, or web site using digital illustrations, whose focus is any theme of anthropological interest. In short, students will make an abbreviated ethnographic film. Additionally, while producing this short documentary, group members will become familiar with SOME of the hardware and software used by today’s film industry. Students will understand the role, purposes, and challenges associated with visual anthropology. They will become familiar with the basic history of the discipline and features of its technological development.

Student Learning Outcomes

1. Students will be able to use a variety of multi-media techniques in anthropological research.
2. Students will individually make a short video or comparable production of anthropological value.
3. Students will participate in a team experience, such as a film crew, for a professional production.
4. Students will be able to link multi-media documents and textual documents.

Materials

Texts:
Barbash, Ilisa and Lucien Taylor. Cross-Cultural Filmmaking: A Handbook for Making
Documentary and Ethnographic Films. Univ. of Cal. Press. 1997.
Ruby, Jay. Picturing Culture: Explorations of Film and Anthropology. Univ. of Chicago
Press. 2000.

Cameras and peripherals will be made available when needed, unless you have your own equipment. Computers with appropriate software may be used in the Downtown Center or on-campus labs, and studio facilities are also available. Students may be asked to leave a check for $150 on deposit with the Dean’s office any time they borrow a camera, which will be returned when the camera is returned.

Schedule of Class Meetings with Topics and Assignments

Note: This syllabus is to be regarded as a flexible document. Dates, assignments, topics, and activities could conceivably change, as we progress through the quarter. No changes will be made without consultation with and agreement of the class. Also, it is possible the faculty will hold a two-day walkout during the quarter. You will be given an out-of-class assignment, if this takes place. Our objective in striking is not to deprive you of your education, but to communicate our seriousness to the CSU administration. One of the conditions of the contract proposed by the Chancellor’s Office requires us to support student fee hikes. That is one of the reasons we have rejected it.

Mar. 26
Introduction to visual anthropology. Overview of the field of visual anthropology and the course. This is a hands-on course; we will watch and analyze ethnographic films, do ethnographic fieldwork, and make videos. Other multi-media projects will also be discussed.
Reading assignment: Ruby 1, Barbash 1.
Mar. 28
What is ethnography? General perspectives on documentary film-making and Salton Sea project overview. How to set up a fieldwork schedule.
Assignment: Develop ideas for individual projects. These will be discussed in class next week.
April 2
Discuss readings and critique ethnographic film clips. Participate in on-line discussion board on Blackboard.
Reading assignment: Ruby 2, Barbash 2.

April 4
Activity: view ethnographic film (e.g., Sixth Sun, The Nuer, Dead Birds). A list of possibilities is on your web site.
Assignment: Written critique of documentary.

April 9
Discussion of film reviews, readings, reports on projects.
Reading assignment: Ruby 3, Barbash 3.

April 11
Narratives and storyboards. Objectives of anthropological film. Messages and meaning.
Artistic and technical aspects of filming images and sound. Music. Issues of intellectual property. Planning and managing fieldwork. Equipment.
Reading assignment: Ruby 4, Barbash 4.
April 16
Guest presentation by Karen Brzoska of IIT on digital media.
Activity: view anthropological film of commercial quality (e.g., Gorillas in the Mist, Smoke Signals). Begin fieldwork.
Assignment: Critique of film.

April 18
Discuss films and ethnography.
Reading assignment: Ruby 5, Barbash 5.
April 23
Activity: view international/independent film of anthropological interest (e.g., Battle of Algiers, Sheltering Sky).
Assignment: Critique of film.


April 25
Saul Landau discusses his experiences making documentaries.
Reading assignment: Ruby 6, Barbash 6.

April 30
Ethical, methodological, and epistemological properties of ethnographic film. What is the importance of context?

May 2

Guest presentation by Professor Lorena Turner of Communication Dept. on her Colombia photography project.
The future of technology in anthropological education.
Reading assignment: Ruby 7, Barbash 7.

May 7
NO CLASS MEETING.
Working on projects.

May 9
NO CLASS MEETING.
Working on projects.

Reading assignment: Ruby 8, Barbash 8.

May 14
NO CLASS MEETING.
Working on projects.

May 16
Presentations of projects.
Reading assignment: Ruby 9, Barbash 9.

May 21
Presentations of projects.

May 23
Presentations of projects.
Reading assignment: Ruby 10.

May 28
Presentations of projects. Discussion of reading.

May 30
Final discussion and assessment. Any remaining presentations.

No Final Exam.

Course Requirements

You will develop an individual multimedia project. This can be based in any of the local communities, or you can design another kind of project (i.e., with an organization, or across several communities, etc.). This must be of ethnographic interest and educational value. The project must involve providing a service to this community or group, as well as documenting something about them. Your work will be evaluated by a jury consisting of the instructional team, your peers, the community partner, and neutral external parties.

You will also carry out three written critical reviews of films, to be assigned in class. Some discussions of readings will be conducted on-line using Blackboard, so you will be expected to participate in these, especially if we are not meeting in class.

Evaluation

Criteria will be discussed in class. Roughly, the project is 50% of your grade, each assignment 15%, and participation 25%.

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