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DAVE
KOPPLIN's professional career in music began as extra percussionist
for the Colorado Springs Symphony, and later as percussionist for
the Colorado Springs Symphony Jazz Quartet. He has performed and
recorded with San Francisco's Clubfoot Orchestra, the Brazilian
jazz group Araça Azul, and the Leisure Time Orchestra, among
many others. In 1983, Kopplin was chosen as a Colorado Council
on the Arts Fellow, and in 1984 and again in 1985 was chosen for
the National Endowment for the Arts Jazz Study Fellowship. He presently
sings and plays drums with the Off-Scales, a quartet that performs
classic soul, rock, and pop music throughout Southern California.
Kopplin holds a Master's in Music from the University of Southern
California where he studied composition with Bob Linn, Morten Lauridsen,
Donald Crockett, and jazz composition with Vince Mendoza. He received
the Ph.D. in composition at UCLA, where he studied composition with
Roger Bourland, Daniel Lentz, Manuel Enriquez, and Ian Krouse, and
musicology and ethnomusicology with Robert Walser and Susan McClary.
Professional credits as a composer include film scores, incidental
music for theater, works for chorus, chamber orchestra, full orchestra,
various electro-acoustic works for chamber ensembles, songs, and
works for jazz and Latin-jazz ensembles.
Dave Kopplin is active as a writer and speaker. He has lectured
on music for the Hollywood Bowl, Los Angeles Philharmonic and
Pacific Symphony Orchestra, as well as guest lectured at the University
of Arizona, Loyola Marymount University, USC, UCLA, Pasadena City
College, El Camino College, Whittier College, the University of
Calif.-Riverside, and Occidental College. He is currently President
of the College Music Society's Pacific Southern Chapter. Kopplin
presently is Assistant Professor of Music in music at California
State Polytechnic University, Pomona. He regularly contributes
articles, program notes and features for the Los Angeles Philharmonic,
Los Angeles Opera, UCLA, the Phillip's Performing Arts Center,
Washington (D.C.) Performing Arts Society and for the Hollywood
Bowl, and served as editor of the summer Hollywood Bowl program
guide from 1998-2001.
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